There is nothing like I Am Sitting in a Room and Lucier's own recording is a definitive version of a modern masterpiece. "Words become music, sound becomes shimmer, and the natural process of acoustics is demonstrated in the most elegant manner. "What may initially seem intolerably arch and arty (not to mention dull) metamorphosizes into a listening experience that is, in fact, deeply engrossing and, ultimately, eerily and arrestingly beautiful," music critic Tim Page wrote in his 2002 book Tim Page on Music. Each subsequent playback of his taped voice degrades in texture, acclimating and fighting against the space into which it exists. It's a piece of music – sometimes called sound art – that reinforces its premise not through repetition but experience. I am recording the sound of my speaking voice, and I am going to play it back into the room again and again, until the resonant frequencies of the room reinforce themselves so that any semblance of my speech, with perhaps the exception of rhythm, is destroyed." "I am sitting in a room different from the one you are in now. On it, Lucier recites the following monologue as its instructions and score: I Am Sitting in a Room – first recorded at Brandeis in 1969, then again in his Middletown, Conn., home in March 1970 – is a study in resonance, decay and time. Archival Recordings 1969-2019 by Alvin Lucier And once he saw performances of John Cage and David Tudor, Lucier knew this was not only the music he was meant to make but the sound he was made to study, alter and explore. Studying under Aaron Copland and Lukas Foss, Lucier initially favored a neoclassical style, but discovered the avant-garde works of Luigi Nono, Pierre Boulez and Karlheinz Stockhausen while in Rome on a Fulbright Fellowship. Lucier was born in Nashua, N.H., to a musical family, an environment that, in time, led to his studies in music theory and composition at Yale University and later Brandeis University. He was diagnosed with Parkinson's disease a little over a decade ago NPR confirmed the news of his death with Amanda Lucier, his daughter. Lucier changed the way we think about sound through monumental works like I Am Sitting in a Room and Music on a Long Thin Wire. From music made from brain waves to gamelan instruments reworked for amplifiers and loudspeakers, Alvin Lucier rewired how we heard sound.Īlvin Lucier, the groundbreaking American composer and educator, died Wednesday at his home in Middletown, Conn.
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So they're sent to the island on a 'geological' expedition. This group of scientists and soldiers head to this island in the Pacific that has been completely uncharted, unmapped and unexplored by man (or so they thought). This movie differs in some key ways that, honestly, I think are beneficial in attempting to set itself apart. I saw this version not that long ago (I didn't review it because, honestly, I didn't want to) and it's something like close to an hour into the film before they get to Skull Island itself. Well, really, according to its Netflix page, it runs 3 hours and 7 minutes (with credits). Peter Jackson's 2005 is, basically, a remake of the original (and a very good one at that) that runs longer than life itself. That's why I feel it's fairer to compare THIS movie to Peter Jackson's 2005 epic, even if both movies are thematically different. Even the appreciators, unless they're really hardcore, don't really put themselves into the mindset of how it was in 1933, because the film probably looked a lot dirtier and grainier than it does now with various restorations performed. You're probably watching it on a nice TV, a Blu-Ray special edition DVD. You can pretend that you are watching it as you were in 1933, but you're not. People who haven't seen the movie can't magically adjust their eyes and minds to how it was back in 1933. I feel that that also applies to the original King Kong. Because we're always thinking about how we can move forward. Going back to my first smartphone, as good as it may have been at the time, wouldn't really go well when I've had two Samsung Galaxys (S3 and S6). I think that, subconsciously, we always want what's new and we want to see technological progress. It's not the film's fault, but that's also not people's faults either. Unless you grew up loving the film or are an appreciator of the classics, this movie isn't gonna hold up well to 2018 eyes. Having said that, though, the thing is that EIGHTY-FIVE years have passed since the original movie and this current year (2018). That's not to say that the original King Kong wasn't impressive because, for 1933, Kong himself was certainly very impressive. I say this because the original has already been established as a classic and, in some people's eyes, you can't compete with the classics, even if those classics haven't exactly aged well from a technical standpoint. I honestly think comparing this movie to the original 1933 would be a bit unfair. I like both equally, but I have to pick Kong based on the latest movies. King Kong, fans are taking sides on social media. With the upcoming release of Godzilla vs. His take on Kong?ĭirector Vogt-Roberts wanted Kong to feel like a "lonely god, he was a morose figure, lumbering around this island," and took the design back to the 1933 incarnation, which presented Kong as a "bipedal creature that walks in an upright position." The problem with having that scene so early (which I loved), is that you get so pumped up but you have another 90 minutes to go with the usual middle arc slow filler.īut overall, Director Jordan Vogt-Roberts has crafted a thrill ride of an action movie. And there's the shot of a flying body taking out a helicopter. The shot of Kong silhouetted against the setting sun with helicopters in slo-mo approaching is absolutely iconic. As the army helicopters drop charges across the jungle to Black Sabbath's "Paranoid," a tree hurls itself straight into the windshield of one of the helicopters and all hell lets loose. Kong makes his presence known in a fantastic three minute prequel.Īnd at the 30 minute mark, one of the best big monster action scenes takes place. Reilly, and it doesn't make you wait like the Godzilla movies to present its "biggest" star (sorry, couldn't resist the pun). Kong sports an excellent ensemble cast with Samuel Jackson, Brie Larsen, Tom Hiddleston, John Goodman and John C. The best of the bunch of Legendary's MonsterVerse, Kong: Skull Island is an exhilarating, frantic ride through Kong's homeland. See this chapter from the User Manual for an introduction to this Extension Pack. Support for USB 2.0 and USB 3.0 devices, VirtualBox RDP, disk encryption, NVMe and PXE boot for Intel cards. VirtualBox 6.1.30 Oracle VM VirtualBox Extension Pack Note: After upgrading VirtualBox it is recommended to upgrade the guest additions as well. The SHA256 checksums should be favored as the MD5 algorithm must be treated as insecure! 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